Sandra bullock julian mcmahon dating


All filmmaking is about arranging time, but there ought to be a reason if you're going to make it non-linear.You can't just whack a Tuesday behind a Friday and say, there, look how different it is.It allowed the Terminator to try to kill the boy in the original and then save him in the sequels, and it carved the baseball field out of the cornfield for Kevin Costner.It can work so well because film is such a temporal medium - "truth at 24 frames per second", as Godard said.One day it's Tuesday and her husband is alive, but the night before it was Wednesday and he was dead from a car accident, or so she thought.She's either having a really terrible bout of deja vu or going around the (time) bend.The scriptwriter - if indeed there was only one - obviously thinks there is a reason in , though the press notes make clear that the producers came up with a concept before the writer, Bill Kelly, wrote a word.



This is a bit like what happens to Sandra Bullock in , except that her days can travel backward or forward.A lonely doctor, who once occupied an unusual lakeside house, begins exchanging love letters with its former resident, a frustrated architect.They must try to unravel the mystery behind their extraordinary romance before it's too late.On the next morning, when Linda awakes, she finds Jim safe and sound at home.

When she awakes on the next morning, she realizes that her days are out of order, but her family and friends believe she is insane.

: It's the notion that nature abhors a vacuum, even a spiritual one.